Nairobi, Silicon Valley of Development

Nairobi, Silicon Valley of Development

Nairobi Uncategorized

Nairobi, Silicon Valley of Development

The mist is still clinging to everything at this early morning hour of one of Nairobi’s chilliest Augusts when we arrive at Kangemi slum to meet Maria Springer, one of the founders of Livelyhoods.Nairobi Sillicon Valley

It just took us 20 meters to leave the rich mansions of Springvalley and Hillview, to cross the highway, and to arrive at what the UN now call “informal settlements,” the home of 50% of Kenya’s urban population.

Maria, American native of 25 years, with a shine on her face is waiting for us in front of iSmart, the new shop her organization opened last Friday in the neighborhood, which now serves 650,000 people.

Behind her young age and her genuine face is hidden a strong determination to provide jobs to the youth of Nairobi’s slums.

¨My story is intimately linked to Kenya. My aunt and uncle used to live here for years when I was a kid. At that moment, they hosted a young boy from the street and raised him. We started writing to each other and when I arrived here, I decided I wanted to have a positive impact on his reality, and the best tool was to provide them with jobs to keep them off the street.¨

2013-08-16 12.59.36So Maria decided to hire young professionals as sales force to reach the last mile between private companies and hard-to-reach potential customers.

200 salesmen have already been hired from Livelyhoods in order to distribute high quality and ecologically respectful products like solar lamps, cooking stoves or female hygiene products to the base of the pyramid.

The story of Maria is not exceptional in Kenya’s capital. The local ecosystem has become an extremely favorable soil for many entrepreneurs, mostly expatriates willing to set up sustainable organizations with a social impact.

Kenya is the new Far West – the next Frontier. The climate is good, the infrastructure relatively developed in the Sub-Saharan context and the government is stable enough to let private ventures develop pretty freely, at least during the first years.

The mobile penetration of 75% and the growing internet economy makes it possible to reach customers all around the country. Kenya’s population is well trained, and access to the Mombasa harbor makes any international trade quite convenient.

However, unlike in Europe or the US, there are still core needs to be addressed. Many people here lack access to the things they need most: farmers to markets in which to sell products, students to quality education, and citizens to vital information. The social issues are extremely present with a country of 46% living under the poverty line and 3.9 million slum inhabitants.

Plenty needs to be done. And Nairobi knows it, as the diplomatic and humanitarian capital of East Africa.

Thousands of staff of United Nations agencies and International NGOs are dealing with surrounding humanitarian crises, such as the Somalia situation and the 500,000 refugees in Dadaab, Africa’s largest refugee camp in the north of the country.

And yet, at the difference of the traditional cooperation model, a new generation of entrepreneurs is trying to tackle social issues like unemployment, education, and healthcare in a sustainable way.

I’m not talking so much about donors and beneficiaries, but more about clients and investors. The entrepreneurs focus here on answering a market need: farmers who want to produce in higher quantities and qualities, private companies who reach new customers or find employees through a social or environmental approach, employing marginalized youth, distributing ecologically respectful products, providing services to excluded population.

Kenya has become a haven for social business. As Samir, 23 from NY says, “Here you can actually start a project and see it grow. If you can make it in Kenya, you can make it anywhere.¨ His organization SunCulture is developing an innovative solar powered irrigation system allowing medium sized farmers to diversify their production and multiply their income by ten in one year. Their target is simply the 30 million farmers living in Kenya representing 24% of the country’s GDP. There is massive potential, both here and in neighboring countries. (See SunCulture’s elevator pitch videos here and here.)sunculture

And this kind of potential offers an exciting perspective of bustling business opportunities for any young and committed professional.

The next generation is flocking into Nairobi aspiring to merge career and meaning: the thrill of setting up their own project in a fascinating environment of an emerging country reaching a tipping point, and the satisfaction of making a positive impact on their environment.

The sons and daughters of the Wall Street Generation are now startupers in East Africa. And some may even compare the city to an exotic playground for young entrepreneurs as the polemic articles from Jonathan Kalan underlined.

And as Lino Carcoforo, the young investor from Innovation for Africa, says: “We will have to see from all these initiatives which actually gather the necessary business skills to make it to the other level.”

Yet, even if the perennity of some of the existing ventures is still to be proven, one can’t deny the vibrant atmosphere of the city where business incubators, start-up competitions, and early stage investors gather. And Kenyan entrepreneurs, sometimes lacking the visibility of their international colleagues, are also emerging and leading some of the country’s most promising ventures. Let’s hope this current hype will prove impactful in the coming years and change at least the vision most still have of our original continent.

By: Aurelie Salvaire

Making of: Filming a Documentary in Nairobi

Making of: Filming a Documentary in Nairobi

Nairobi Uncategorized

A project by The A Factor, Global CAD, and VOCES.

Two weeks.

That’s all we had. Two weeks to prepare and shoot a 30 minute documentary in Nairobi on social innovation–to show how the city is bustling with new ideas, projects and entrepreneurs. Two weeks to get the technical team on board, to get to know each other, to find the right angle and narrative to best convey our message. Easy, we thought…We can do it! KICC

Monday, 12th of August. This is our first breakfast. For the first time, I meet Ana and Juan from VOCES and Pepe and Nadia from Uranes Films.  Objective of the day: to understand the local context, but above all, the why of the Innovation Tours and of The A Factor. How can my story and my quest relate to the audience? Why do I want to give visibility to local entrepreneurs? The complicity is born. Even if our paths differ, between UNICEF, TV and music production, we all share the will to have a positive impact, to bring a different image of Africa in general and cooperation in particular, and a tipping point in life where we all wonder what will be our next steps. This initial bond connects immediately and will facilitate the hectic days to come. At night, we watch Nairobi Half Life as a first introduction to the city.

Tuesday, 13th. We have our initial meetings at iHUB, Growth Africa, and 88mph. The team discovers for the East Africa with fresh eyes, and visiting the key city’documentary in Nairobi xyzs incubators helps us to feel the pulse of this vibrant city. Yet, it is very easy to feel overwhelmed by the multiplicity of projects and the ticking clock of the deadline: In a few hours, Innovate Kenya tells us how they directly source new projects in schools through a global ideas competition sponsored by Google. Roger tells us about the political puppet TV show called XYZ, viewed by 10 million people every month and about their platform Boni TV, a local kind of Netflix with videos from all over Africa. We visit the iLab, the tech incubator set up by Safaricom in the private Strathmore Business School, as a future Wayra of Telefonica.

Wednesday, 14th. The team splits. Anna and Pepe feel the need to stay at home to work on the narrative. We are not talking about a classic journalistic report with enchained interviews. They want to raise the bar higher. A proper documentary, with a story line, a fictional approach and a logical thread the audience can relate to. What are the visual images we have in mind? We share ideas of videos from Amelie to Leolo, to videos from our colleagues of What Took You So Long. Pepe and Nadia show us the video or their last videoclip. We are captivated by their vision.

Thursday, 15th. Juan, Anna, and I are still visiting local projects, interviewing potential “characters” and assessing the right  initiatives to display. So many criteria to take into account: how to create a representative image in so little time; how to ensure a balance between male and female interviewees, Kenyan and expatriate; how to guarantee a mix of sectors, from the technological to youth empowerment through sports, from activism to agriculture or crafts? The choices 2013-08-15 17.18.38are tough. With Juan, we identify around 10 key criteria to make our decisions more objective and structured. It sounds like Eurovision. The table is soon filled with post-its of the different projects. Pepe and Nadia are strict: no more than 4 main projects will get 4 minutes of time, and only 2 secondary projects will be featured. It takes me ages to eliminate any option. This is because I am a Libra and I want it all. I manage to convince them that we could feature a saturation peak in the documentary with an enumeration of the projects that haven’t been featured so far. They accept. I relax.
The first pre-selection is done.

Friday, 16th. We finish the week visiting different projects related to arts promotion: Kuona Trust and its promotion of local artists for the last 18 yea2013-08-16 11.16.40rs; Go Down Arts Center and its cluster of TV and dance related start-ups; Pawa254 as coworking of journalists, graffiti artists and activists; and Tsunami Studio, the African Pixar. We visit the Hot Sun Film School, which trains the youth of Kibera in filmmaking for no charge. They also produce films and videos to question the image of the life in the slums, they have their own TV Channel Kibera TV, and they are actively participating in the Slum Film Festival displaying videos for and from the slums. In Sarakasi Trust, dancers and acrobats prepare their next show. The team of the NEST (because art is life) tells us about the vibrant fashion scene as Kapoeta and the coming fashion show by Katungulu Mwendwa. Every new meeting shakes our selection. New contacts appear, the web widens. There is so much to show, so much to say and so little time.

 It’s Friday night. We all agree on a final selection. Pepe reads us the storyline. We approve. Like every other day, the meeting ends late at night in the house we all rented for the occasion. It is now time to slice the story into shots, gather them into the different locations and, according to the duration of the scenes, schedule the shooting plan. Production starts. We are crazily calling people, matching agendas, finding extra cameraman or sound professionals, renting a slider or an extra tripod that actually works. The phone doesn’t stop ringing. And we are glad to have Wi-Fi at home…

Saturday, 17th. Shooting starts. To merge work and fun, we take part in the community class by the Africa Yoga Project 2013-08-21 13.15.29that we want to feature in the documentary. After 2 hours of effort, we interview Billy on how he manages to train youth from the slums to be yoga teachers and make a sustainable living out of it. He tells us how this project especially changes the perceptions of students in their communities—it changes how the youth’s families and friends see them, and also how the youth see themselves. It fosters mutual respect in the community.

In the afternoon, we shoot at Kuona Trust. There’s an event taking place that is sponsored by Absolut Vodka, and it’s where the local hipster community gathers. This is our opportunity to discover Cyrus’ art pieces, acclaimed by TED and international media.

Sunday, 18th. The wake up rings early today! We need to interview Maria Springer, the founder of Livelyhoods before she leaves for Ghana. We reach the slum of Kangemi when everybody is heading to mass and loudspeakers all over are praising God with high-pitched voices. Kids gather around our cameras and Pepe is having a hard time filming without drawing too much attention. Slums inhabitants are tired of poverty tourism and expats taking dramatic pictures of their misery. Yet, people are quite helpful when we explain we want to showcase this project which is actually employing local youth to sell goods as cooking stoves or solar lamps to the community.

Monday, 19th. The sky is grey and the air chilly. Yet Alfred, our amazing driver (and at times bodyguard), brings us to the most representative places of the city: the meat market, the university, the train station, the memorial of the bombing of the US embassy, etc… We even 2013-08-19 11.20.37try to get an official license for access through thousands of corridors and offices at the city council but it’s above our capacity…The view from the top of the KICC building is impressive. Pepe climbs on the top of buses to shoot the chaos of the Matatu Station. We are covered with dust when we arrive at 88mph to interview Kyai, the founder of Mchanga, a mobile platform allowing users to raise funds for personal causes (wedding, funeral, education, etc.) through their mobile phones.

Tuesday, 20th. As always, we wake up at 6:30am to shoot some scenes and timelabs at home. I have to change futbolbetween the different clothes I wore during the week to ensure everything will be coherent during editing.

9:30: Alfred comes to pick us up and we join Kawangware, one of the slums where Livelihoods operate, in order to shoot one their young salesmen “in action”. Kate, his neighbor, is cooking ugali, the local traditional flour paste, on the cooking stove we brought from Ecozoom. She loves it! So we decide to leave it for her as a gift. Kids are playing football outside and Kate loves to be the actress for a few minutes.

On our way back, we interview Catherine, one of the founders of ShopSoko, an online platform connecting local artisans crafting jewels for American, and soon European, buyers.

Wednesday, 21st. We have a long day ahead of us. We first head to Githurai, 30 km north of town to meet Katherine, one of the artisans of ShopSoko, at her home and workshop. Five or six women are sitting next to a cow, cutting papers, rolling them into beads, painting them, and creating colorful earrings or belts. We then come back to the city to pick up the two founders of SunCulture, Charles and Samir, and then head towards Limuru and the field where a farmer has installed their sun-powered irrigation system. We find a very clean and organized field where Peter has multiplied his income by 10 in just one year by using the new irrigation system and switching from corn to tomatoes and onions, which are more profitable crops. On our way back, we get stuck in the famous Nairobi traffic jams for hours…What a long day!

Thursday, 22nd. Today we work on our last main project: Pawa254. We first interview Njeri on the objective of this coworking 2013-08-23 08.22.14space: rehabilitating artists and empowering youth. We then climb onto the rooftop where a large painting of Nelson Mandela overlooks the skyline of the Central Business District. Two artists paint some new graffiti for us. We meet again with Chief Nyamweya from Tsunami Studio to discuss how we could work with them during the post-production process. In the afternoon, we head to 88mph to interview Jonathan Kalan, the local correspondent of BBC, specialist of technology and innovation. Then we head to iHub to interview Jessica Colaco and Jimmy about the launch of their technological coworking. We are so exhausted people can read it on our foreheads. And yet, we finish on the terrace of the iHUB and wait for the sunset for a last Timelab…

Friday, 23th. The alarm rings. We don’t want to hear it. We feel dizzy. We make a quick trip to Sarakasi Trust to film some of the acrobats. Most of them are in Mombasa for a show but we manage to get a special exhibition, just for us.

documentary in Nairobi

Then we head back home to shoot the final interviews. Nanjira, Federico, and Lino pass by to tell us their vision on the local ecosystem, its challenges and opportunities. We then shoot some final scenes—one of the scales representing the Libra and, of course, some last taxi drives.

15:30. That’s over…

We feel excited and sad at the same time. The first part is over. Yet we still have a lot to do in editing and postproduction.

Let’s imagine where we will do the screening here later this year!

But now it’s time to relax and enjoy Kenya as a tourist for the first time.

By: Aurelie Salvaire

Nairobi: Thriving Entrepreneurship Hub of East Africa

Nairobi: Thriving Entrepreneurship Hub of East Africa

Nairobi

In her TED Talk, « The danger of a single story », my favourite Nigerian writer Chimamanda Ngozi Adichie explains how dangerous it is to reduce a person,  a culture, a continent to a unique and biased perception.

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The viral Youtube video “Africa for Norway” with Africans actually raising funds and sending sun to Norway where people are freezing uses a disruptive angle to underline we still often consider African countries as needy and corrupted places.

But the truth is we have so much to learn from countries jumping a quantum leap from traditional markets to 3G in a couple of years.

As the Misfit economy book demonstrates it, innovation often happens in the most surprising places, and even pirates, terrorists, computer hackers and inner city gangs could teach us some interesting lessons…

But without going so off the beaten track, the last edition of Courrier International, Africa 3.0, celebrates the renewal of the continent through its most promising innovators and the new relationship out of “creativity, fraternity and tolerance” we might need to learn from.

So when the A factor decided to scout for the next Innovation tour, Nairobi came as an evident answer.

Beyond the traditional images of wildlife safaris and traditional masai outfits, the Kenyan capital has been rising in the last year as the most promising IT hub of the East of the continent.

Google, IBM, Microsoft have installed their regional headquarters there. Apart from the grassroots innovations, Kenya is also emerging as a perfect experimentation field for « frugal innovation » for multinational companies. After Nokia, IBM is now opening its R&D lab in Nairobi.

Almost on the same timezone as Europe, english speaking, easily reachable by major airline companies overnight and now denominated the Silicon Savannah, the city is hosting an incredible critical mass of start-ups and tech entrepreneurs. Different incubators, as 88mph or GrowthAfrica, most of them supported by foreign capital tend to identify the next generation of promising entrepreneurs and Demo Africa will be showcasing during the next month of October start-ups from allover Africa with high potential to succeed. And there are still so many to discover…

The first day in Nairobi took place at the iHUB, a thriving ecosystem of start-ups and programmers which has soon become the place to be in terms of networking events. At the end of Ngong road, the mall hosting the HUB is also the home of Ushaidi, the worldfamous crowdsourcing map, meaning “testimony” in Swahili, initially developed to map reports of violence in Kenya after the post-election fallout at the beginning of 2008.

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Erik Hersmann, the founder of this open source project which allows users to crowdsource crisis information to be sent via mobile, explains how Nairobi is growing and how Ushaidi is now working on a back-up generator for Internet.

Within a few square meters, one can meet Amrit Pal, one of the heads of Kopo Kopo, a system which enables small and medium businesses to accept mobile payments and build relationships with their customers or Kenfield Griffith from MSurvey, allowing to collect data and information through cell phone.

All of them are surfing on the success of M-pesa, the largest mobile money network launched by Safaricom, Kenya’s major phone operator. Through any phone, even the most simple ones, one can exchange cash for Mpesa “credit” and send money to the other side of the country or pay a coffee in a local cafeteria. Given the cell phone penetration, this represents now a serious threat to the traditional banking system.

But Kenya is not only about technology. With millions of people living with less than 1 dollar a day, many entrepreneurs have developed innovative solutions for the Base of the Pyramid:

  • In terms of Water and Sanitation, Iko Toilet is now providing the first mobile vacuum toilet system of its kind in Africa and Sanergy is developing economically sustainable distributed sanitation infrastructure for informal settlements.
  • Barefoot Power is providing affordable lighting and phone charging products specifically for low income populations that do not have access to electricity. They work in collaboration with women groups, especially with CARE and their major initiative Light up a village is getting famous.
  • Mobius motors is a Kenyan car company currently rolling out their second fully functional prototype.
  • In the field of agriculture, One Acre Fund now knows an exponential growth providing package of seed, advice and training to farmers in order to improve their productivity and income.
  • Or finally Jacaranda Health, fully dedicated to safe motherhood in East Africa. and setting up mobile clinics in maternal health delivery.

The major slums of Kibera or Mathare are also thriving environments for this “frugal innovation”. Fred, the curator of TEDxMathare, brings me along the unpaved road and would like to expose more untapped ideas coming from the grassroots level.

MYSA, for example, is empowering youth of underprivileged areas through sports activities and became one of the world’s leading sport for development organisation.

In Kibera, the most “famous” slum in town which sometimes absorbs all the attention especially after JR large photographs pasted on walls and trains in “Women are heroes”, different initiatives flourish like the Hot sun foundation film school, Identifying and developing youth talent in East Africa to tell their stories on film or the Community cooker, turning rubbish into energy.

Female gamechangers are also extremely active.

Akili Dada empowers the next generation of African women leaders through its incubator investing in high-achieving young African women. Akira Chix teaches IT to women and girls and the regional office of Samasource outsources basic encoding or programming tasks to youth and women from underprivileged areas.

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Ella and  its Shopsoko connects artisans to a global market through very simple phones with artisans run, peer recruitment and product tracking.

But the innovation is not the exclusivity of the start up scene. Even the major NGOs or international institutions explore here new ways of working: would it be the cash transfers operated by Oxfam in case of emergencies instead of the traditional food distribution or the coupons transfers in Somalia of the World Food Pr

ogram realized in collaboration with Mastercard. The dynamic environment and the technology facilities enhance the exploration of new options.

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A mobile app has even been created, Refugies United, to help families reconnect with missing loved ones after a forced displacement.

Yet, as Simon Stumpf, the head of Ashoka East Africa says: “Impact investment is still in its infancy here.” There is a real need expressed by the entrepreneurs themselves for more mentoring and partnerships in order to reach major size and market.

The investors already present (Invested Development, Village Capital, Acción, Helios Investment, Jacana Partners,…) consider Kenya ecosystem more early stage than other countries like South Africa for example. The multiplication of entrepreneurs competition also led to a perversion of the system and the apparition of “competrepreneurs” who might only look for grants but not really set up a business. Seed funding and mentoring is then still extremely necessary in order to ensure a full scale up of these initiatives.

This vibrant environment is fueled by a a promising generation of makers (Fablab), activists (check out Powa254), artists (Kuona Trust or Godown Arts Center) or fashion brands (Kiko Romeo or Savannah Chic) who are shaking up Kenya’s traditional ecosystem.

And the new 4-story sound studio unlike anything in Africa of Spielworks, a local Kenya TV production company  who just received a large infusion of investment is demostrating that Kenya is moving.

And beyond the strong concentration of Nairobi, progressively appear new upcoming entrepreneurship hubs as Kampala, Kigali and Dar-es Salaam.

So, after only a few days in town, our mind is full of projects, contacts and initiatives waiting for more connections and visibility. Coming from a relatively demoralized Old Continent, one can consider that an exposure to such a vibrant ecosystem is definitely a boost in terms of inspiration and network but it’s key to imagine it as a conversation of equals and a source of mutual learning.

 

To learn more about the Nairobi Innovation tour, contact us !